Art and Culture

Hansard – Who wouldn’t like to watch a domestic for 90 minutes?

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We’ve just come back from watching actor and playwright Simon Woods’ Hansard at the National Theatre, which is directed by 41-year old, Washington, D.C.-based, Cambridge graduate Simon Godwin. Woods’ debut as a playwright had its premiere on this stage two months ago and is only showing until 25th November, with all except tomorrow’s show sold out. 39-year old Old Etonian Woods is clearly not lacking good connections to get his first attempt featured on the nation’s most prestigious stage. While reading English at Magdalen College, Oxford, in the early Noughties, he was in a relationship with Rosamund Pike for two years. A few years later the two would play lovers Jane Bennet and Charles Bingley in Pride & Prejudice. For the past ten years, Woods has been in a relationship with Christopher Bailey CBE, aged 48, the chief executive of Burberry, the British fashion empire. We weren’t initially planning on […]

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Art and Culture, London

Exit The King with Rhys Ifans at the National – Soso..

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I’m a huge fan of Eugène Ionesco and the Theatre of the Absurd in general. I had been looking forward to the performance of Oscar-nominated former stand-up comedian Patrick Marber’s adaptation of Ionesco’s play Exit the King at the National (until 6th October) with very high, perhaps overly high expectations. It’s the first time the National does Ionesco!! The 1h40m performance (no intermission) was decent by most accounts and, as usual for every London stage performance, received many 4 out of 5 and 5 out of 5 reviews (3 out of 5 by the Guardian). Without any doubt Rhys Ifans’ stage presence is super-intense and riveting, the performance of all the other actors, such as Indira Varma, also excellent. All photos (c) Simon Annand. The initial play is a manic mediation on death, which follows King Berenger, who is 483 years old, on his last day, while he is being […]

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Art and Culture, London

The Lehman Trilogy at the NT – Loved it (and I worked there)!

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We’ve just returned from a performance of the Lehman Trilogy at the National Theatre. It was one of the best plays we’ve seen in years, truly awesome. While previous performances of the play across Europe have involved vast casts, Ben Power‘s (the NT deputy artistic director’s) English language version of Italian playwright Stefano Massini’s play involves just three actors. They re-enact the one and a half centuries of the Lehman brothers’ family history from when the first of the initial three brothers emigrated from a small village in Bavaria (where I’m from) to Montgomery, Alabama, in the South of the U.S. From when they were god-fearing, law-abiding, humble, not-so-well-to-do corner store owners (and later on cotton merchants) to them losing control of their investment bank in the 1960s, and to the bank’s demise as a faceless global investment bank in the Financial Crisis of 2008, when godless monsters like Dick […]

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Art and Culture, London

Andrew Scott in Sea Wall, celebrating 200 years at the Old Vic

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We’ve just returned from our visit to the Old Vic to watch Sea Wall, a monologue performed by Andrew Scott. It was written specifically for him more than ten years ago by Simon Stephens. This time around, it was staged again to celebrate the 200th anniversary of the theatre. Scott’s character Alex tells the audience about his life with his loving family. How he made friends with his wife’s father, an ex-soldier, how their young daughter brings joy to their life, how he’s happy with his job and where he lives.    Photo of Andrew Scott (c) Kevin Cummins; rest (c) BSqB Gradually the monologue steers towards the revelation of perhaps the most horrible event that can happen to man. As you would expect from an actor of Scott’s calibre, his performance is smooth and precise. The audience is laughing out loud one second and holding back tears the next […]

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Art and Culture, London

Toneelgroep, Barbican, Obsession, the play

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We’ve just returned from tonight’s performance of Obsession, the play with Jude Law, at the Barbican, and we were not very pleased. It is one of three Toneelgroep (“Theatre Group”) Amsterdam productions directed by Ivo van Hove at the Barbican this year. The play is based on a homonymous 1942 Luchino Visconti film, which is itself based on a well-known novel by James M Cain called ‘The Postman Always Rings Twice.’ The movie was adapted seven times with the 1946 version, named after the book, starring Lana Turner and John Garfield being the best-known one. It is not the first Visconti movie that van Hove has adapted for the stage. We watched part of the original film on Youtube after our visit to the theatre and we enjoyed it. The movie is very intense and its title does not need any explaining. We had read about the plot (but not […]

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