Ms B & I have just returned from one of the most noteworthy but ambiguous symphony concerts we’ve seen this year. An absolutely mind-blowing, era-defining first part, and a hugely disappointing, misplaced, misdirected main part. We’ve been huge fans of Dudamel for many years (and have blogged about him before), to us he feels like the Jimi Hendrix of classical music. His directing can turn a pretty decent piece by one of the geniuses of centuries bygone into an absolutely genius work. We also like the fact that he’s a political activist and very active with his youth orchestra and plenty of other projects. The LA Phil’s three-day residency at the Barbican closed tonight with Bruckner’s Fourth Symphony, preceded by the European premiere of Sustain by Andrew Norman. Sustain, roughly 40mins long, was commissioned by the orchestra to celebrate their centenary last year, and clearly to do so was the […]
Kaboom – Sir Simon Rattle and the Berlin Philharmonic at the Southbank Centre: Brahms
We’ve just returned from one of the two London concerts of Sir Simon Rattle’s final tour as the Berlin Philharmonic’s chief conductor. The evening was designed to showcase his time and achievements with his orchestra of the past 16 years (he has taken over the London Symphony Orchestra earlier this year and kept two hats on until now). Known for his love of and expertise with modern pieces, Rattle started the evening with the UK premiere of a piece by the famous, only 44 years old, Munich-born (like me!!), Berlin-based, German composer-clarinettist Jörg Widmann: ‘Tanz auf dem Vulkan‘ (Dance on the volcano), which had been commissioned by the BPO to mark Sir Simon’s departure, and only had its world premiere in Berlin three days earlier. Over the years, the conductor and the composer had collaborated on various occasions. Widmann is known for his wit in how he composes, everything is […]
Royal Concertgebouw Orchestra at the Old Opera, Frankfurt
While Ms B was visiting Mr B from London in Frankfurt recently, we decided to buy surprisingly good value tickets (at €50 each, for stalls seats in the centre 20 metres away from the stage) to see the world’s best symphony orchestra, Amsterdam’s Koninklijk Concertgebouworkest, perform pieces of Haydn and Mahler at Alte Oper in Frankfurt. Gustav Mahler’s Symphony No. 4 was, as it happens, conducted by the composer himself at the 1904 Dutch premiere of his work. This time around, it was directed by the amazing Daniele Gatti, who took over the reins at RCO at the beginning of the last season. Alte Oper, who have a long-standing cooperation arrangement with this orchestra, were welcoming Mr Gatti for the first time since he joined them. (c) The Arts Desk (Featured image is by BerkeleySqB). Some in the audience (not us) were initially rather disappointed when it was announced at […]
Haydn, an Imaginary Orchestral Journey with Sir Simon Rattle and the LSO
We are just back from our evening at the Barbican, where Sir Simon Rattle and the London Symphony Orchestra performed pieces of Wagner, Bartok, and Haydn under the headline of “Haydn, an Imaginary Orchestral Journey”. Sir Simon Rattle is currently finishing his tenure at the world’s 2nd best symphonic orchestra in Berlin (where his tenure ends in 2018) and will already take over the reins at the LSO, usually ranking #5 worldwide (#1 being Amsterdam, #3 Vienna, and #4 Chicago) in September this year. So this evening is a nice way of saying hello to his new home. He seems to be taking Brexit with good humour, but some say he would have made a different decision had he known about it. As expected, the evening was a brilliant experience. I normally dislike Wagner’s music, because in my mind it’s got the (unjustified, of course, I admit that!) feel of […]